Guide The Wager (The Ravenna Evans Series Book 3)

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What is the difference, it may be asked, between a maze and a labyrinth? The answer is, little or none. Some writers seem to prefer to apply the word "maze" to hedge-mazes only, using the word "labyrinth" to denote 2 the structures described by the writers of antiquity, or as a general term for any confusing arrangement of paths.

CHAP. VIII.: Of the Divisions which always subsisted in the City.

Others, again, show a tendency to restrict the application of the term "maze" to cases in which the idea of a puzzle is involved. It would certainly seem somewhat inappropriate to talk of "the Cretan Maze" or "the Hampton Court Labyrinth," but, generally speaking, we may use the words interchangeably, regarding "maze" as merely the northern equivalent of the classic "labyrinth. We cannot, for instance, say that it is "a tortuous branched path designed to baffle or deceive those who attempt to find the goal to which it leads," for, though that description holds good in some cases, it ignores the many cases in which there is only one path, without branches, and therefore no intent to baffle or mislead, and others again in which there is no definite "goal.

One of the most famous labyrinths, for example, consisted chiefly of a vast and complicated series of rooms and columns. In fact, we shall find it convenient to leave the question of the definition of the words, and also that of their origin, until we have examined the various examples that exist or are known to have existed. Such references as have been made have therefore been accompanied in most cases by some explanatory or descriptive phrase, a provision which might be considered unnecessary or out of place in a book written for the trained student.

For the benefit of such as may wish to verify, or to investigate more fully, any of the matters dealt with, a classified list of references has been compiled and will be found at the end of the book. The first summary of any importance to be published in this country on the subject was a paper by the Venerable Edward Trollope, F. Nearly all subsequent writers on the subject—in this country at any rate—have drawn largely upon the paper in question and have made little advance upon it. The "Encyclopaedia Britannica" contains an illustrated article, written originally by a botanist and chiefly concerned with hedge-mazes.

Such books as Rouse Ball's "Mathematical Recreations," Andrews' "Ecclesiastical Curiosities," and Dudeney's "Amusements in Mathematics" devote each a chapter or so to the matter, and from time to time there have been brief displays of interest in some aspect or other of the topic in popular periodicals, the most notable being a pair of richly illustrated articles in Country Life in A condensed and scholarly review of the subject, in so far as it is relevant to his main thesis , is contained in the first volume of Mr. Cook's ponderous work on "Zeus" Gordon's "Prehistoric London" adduces a certain amount of labyrinth lore in support of the Trojan origin of the metropolis.

So far as the writer has been able to ascertain, no book dealing solely with the subject has hitherto appeared in our language. Robert de Launay, who was killed on the field of honour at Neuville-St. The articles are characterised by great boldness and enthusiasm and show a wide range of knowledge, but it is probable that, if the author had lived, mature consideration would have led him to modify some of his conclusions.

This is the most recent work of importance on the subject, though the new work by Sir A. Evans mentioned above contains much interesting and valuable information on certain aspects.

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In the following chapters an attempt is made to set forth, as readably as may be, an account of the various devices in which the labyrinth-idea has been embodied, to indicate where examples may be found, to give some notion of the speculations which have been made regarding their origins, and to consider the possibilities of the idea from the point of view of amusement and recreation.

The earliest labyrinths of which mention is made by the classic writers are those of Egypt and Crete, and we shall find it convenient to consider these first of all. We will then notice the other labyrinths alluded to by the writers of antiquity, and pass on to a consideration of labyrinthine designs introduced by way of ornament or symbolism in various objects of later classic art. We shall see that the labyrinth-idea was adopted and developed by the Christian Church in the Middle Ages, and will note its progress as a medium of horticultural embellishment.

It will be interesting to examine the mathematical principles, 5 such as they are, which underlie the construction or solution of mazes, also to see in what a number of ways these principles may be applied. We shall find that our inquiry will bring us into contact with a greater variety of subjects than one would at first be inclined to imagine, and that labyrinths and mazes need not by any means be considered as exclusively a concern of archaeologists and children.

Incidentally we may help to rescue from threatened oblivion a certain class of native antiquities, small and diminishing in number, but surely worth sufficient attention to ensure their preservation, namely, the turf labyrinths. As to the actual origin and primary purpose of these devices we cannot be dogmatic on the evidence before us, and herein, perhaps, lies a good deal of their charm.

When we can classify and date with precision any object which is not of a utilitarian nature we relegate it at once to our mental museum, and a museum is only too apt to become an oubliette. But when there is a considerable margin for speculation, or, as we usually say, a certain amount of "mystery" in the case, we are more likely to find pleasure in rehandling it, looking at it from different points of view and wondering about it.

Let us grant, by all means, that there are quite sufficient unsolved riddles in nature and life without raising up artificial mysteries.

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Let us even admit that when evidence is available which, by the way, is not the same thing as existent it is better to settle a question straight away than to leave it open to further argument. At the same time, let us not be too hasty in accepting speculations, however shrewd, as proved facts. Antiquarian books should naturally be as free as possible from actual misstatements, but they have lost all their charm when they become collections of bald dogmatic statements or mere descriptive catalogues.

The earliest structure of any kind to which we find the word labyrinth applied was a huge building situated in the North of Egypt, a land always noted for its stupendous monuments, and was probably constructed more than years before the commencement of the Christian era.

We live in an age when the use of constructional steel enables the dreams of the architect to materialise in many ways that would astonish the builders of old; nevertheless, the modern citizen, whatever his nationality, can rarely resist a feeling akin to awe when making his first acquaintance with such works as the Pyramids of Egypt. One can imagine, then, what a profound effect these massive edifices must have exerted on the minds of travellers in earlier ages.

CHAP. VIII.: Of the Divisions which always subsisted in the City.

We find, as we might expect, many wild exaggerations in individual descriptions and corresponding discrepancies between the various accounts of any particular monument, and this is to some extent the case with regard to the Egyptian Labyrinth. A fairly detailed and circumstantial account has come down to us from the Greek writer Herodotus. Herodotus, who is rightly spoken of as the Father of History, was born about B. Those who are fortunate enough to be able to read his works in their original tongue are charmed by their freshness, simplicity, and harmonious rhythm, but those who look to him for accurate information on any but contemporary events or matters with which he was personally acquainted are apt to find a rather too credulous acceptance of the wonderful.

No doubt the poetical instinct in Herodotus was stronger than the critical spirit of the true historian, but, so far as the records of his personal observations are concerned, there seems to be no reason to accuse him of gross exaggeration. The Labyrinth of Egypt he himself visited, as he tells us in his second book, and seems to have been considerably impressed by it. After describing how the Egyptians divided the land into twelve parts, or nomes , and set a king over each, he says that they agreed to combine together to leave a memorial of themselves. They then constructed the Labyrinth, just above Lake Moeris, and nearly opposite the city of crocodiles Crocodilopolis.

There are two sorts of rooms, one sort above, the other sort below ground, fifteen hundred of each sort, or three thousand in all.

the wager the ravenna evans series book 3 Manual

The roof of the whole affair, he says, is of stone and the walls are covered with carvings. Each of the courts is surrounded by columns of white stone, perfectly joined. Outside the Labyrinth, and at one corner of it, is a pyramid about feet in height, with huge figures carved upon it and approached by an underground passage. Herodotus expresses even greater admiration, however, for the lake beside the Labyrinth, which he describes as being of vast size and artificially constructed, having two pyramids arising from its bed, each supporting a colossal seated statue.

The water for the lake, he says, is brought from the Nile by a canal. The Labyrinth and the lake are also described at some length by another great traveller, Strabo, who lived about four centuries after Herodotus. He wrote, amongst other works, a Geography of the World in seventeen volumes, the last of which treats of Egypt and other parts of Africa.

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Like Herodotus, he speaks of the Labyrinth from personal observation. After referring to the lake and the manner in which it is used as a storage reservoir for the water of the Nile, he proceeds to describe the Labyrinth, "a work equal to the Pyramids. There are an equal number of courts, surrounded by columns and adjoining one another, all in a row and constituting one building, like a long wall with the courts in front of it.

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  • The entrances to the courts are opposite the wall; in front of these entrances are many long covered alleys with winding intercommunicating passages, so that a stranger could not find his way in or out unless with a guide. Each of these structures is roofed with a single slab of stone, as are also the covered alleys, no timber or any other material being used.

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    Strabo says that it was the custom of the twelve nomes of Egypt to assemble, with their priests and priestesses, each nome in its own court, for the purpose of sacrificing to the gods and administering justice in important matters. He mentions that the inhabitants of the particular nome in the vicinity worshipped the crocodile which was kept in the lake and answered to the name of Suchus Sebek.

    This animal was apparently quite tame and used to be presented by visitors with offerings of bread, flesh, wine, honey, and milk. In certain parts of his works Strabo speaks rather disrespectfully of Herodotus as a writer, classing him as a marvel-monger, but it will be seen that in several important respects these two accounts of the Egyptian Labyrinth are in fair agreement. Another writer of about the same period as Strabo, known as Diodorus the Sicilian, wrote a long, rambling compilation which he called a "Historical Library" and in which he describes the Egyptian Labyrinth and Lake Moeris.

    He says the latter was constructed by King Moeris, who left a place in the middle where he built himself a sepulchre and two pyramids—one for himself and one for his queen—surmounted by colossal seated statues. Diodorus says that the king gave the money resulting from the sale of the fish caught in the lake, amounting to a silver talent a day, to his wife "to buy her pins.

    A generation or so later the Roman writer Pomponius Mela gives a short account of this labyrinth, probably at second-hand, and early in the first century of the 10 Christian era Pliny, in his "Natural History," has a good deal to say on the subject. He refers to labyrinths generally as "the most stupendous works on which mankind has expended its labours. He also refers to the fact that the roof was of stone, and notes as a surprising point that the parts around the entrance were constructed of Parian marble, whilst the columns of the other parts were of syenite.

    To describe the whole of it in detail would be quite impossible, as it is divided up into regions and prefectures, called nomes , thirty in number, with a great palace to each; in addition it must contain temples of all the gods of Egypt and forty statues of Nemesis in the same number of sacred shrines, as well as numerous pyramids.

    Some of the palaces are so made that the opening of a door makes a terrifying sound as of thunder. Most of the buildings are in total darkness. Outside the labyrinth there is another great heap of buildings, called the 'Pteron,' under which are passages leading to other subterranean palaces. A structure which evoked so much wonder and admiration in ancient times can hardly fail to have aroused the curiosity of later generations, but no serious attempts to locate it seem to have been made by Europeans until several centuries later.

    It was then far too late to observe any of its glories, for it was all but destroyed in Roman times, and a village sprang up on its site, largely constructed from its debris.